Animism, Materiality, and Museums
Animism, Materiality, and Museums
How Do Byzantine Things Feel?
€ 123,00 excl. VAT
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15.6 x 23.4 cm
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Introducing Things and Relation Object Relations: Theorizing the Late Antique Viewer Late Antique Making and Wonder Transfiguring Materialities: Relational Abstraction in Byzantium and its Exhibition An Anarchéologie of Icons Adam's Athropocene Sense Lives of Byzantine Things Senses' Other Sides Showing Byzantine Materiality Framing and Conserving Byzantine Art: Experiences of Relative Identity Real Living Painting: Quasi-Objects and Dividuation in the Byzantine World: We Have Never Been Byzantine: On Analogy

Glenn Peers

Animism, Materiality, and Museums

How Do Byzantine Things Feel?

Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, this monograph challenges us to search for novel ways to explore and interrogate the art of this distant culture. They marshal diverse disciplines“modern art, environmental theory, anthropology“to argue that Byzantine culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays“some new and some previously published“and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world.
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Glenn Peers

Glenn Peers is professor in the Department of Art and Music Histories at Syracuse University and professor emeritus in the Department of Art and Art History at the University of Texas at Austin. He curated "Byzantine Things in the World" at The Menil Collection (Houston, TX) in 2013.