Revolutionary Dancer in Revolutionary Russia

Elena Yushkova

Revolutionary Dancer in Revolutionary Russia

Isadora Duncan in Russian and Soviet Culture

In 1921, the legendary American dancer Isadora Duncan arrived in post-revolutionary Russia with an audacious goal: to build a new kind of dance school for a new world. Already celebrated for her groundbreaking performances across the Russian Empire from 1904 to 1913, Duncan had become an influential figure in the cultural life of the Silver Age, inspiring artists, writers, and thinkers alike.
This monograph offers a compelling exploration of Duncan’s Russian years—both before and after the October Revolution—drawing on rare archival sources and never-before-published Russian materials. It illuminates her artistic vision, her role in shaping early Soviet cultural debates, and the shifting political and aesthetic landscapes she navigated. From Silver Age reimaginations of antiquity to the rise of Socialist Realism and the modern revival of Duncan’s dance, this book traces the enduring legacy of a revolutionary artist in a world undergoing radical transformation.
Dit boek verschijnt binnenkort. Reserveren kan een paar weken voor de publicatiedatum.
Auteur

Elena Yushkova

Elena Yushkova has studied Isadora Duncan's legacy for many years. She is the author of two Russian language books, including the first monograph on Duncan published in Russia, as well as numerous articles in academic journals and edited volumes. She is currently a Visiting Scholar at the University of Kentucky.
Titel
Revolutionary Dancer in Revolutionary Russia
Subtitel
Isadora Duncan in Russian and Soviet Culture
Auteur
Prijs
€ 134,00 excl. BTW
ISBN
9789633869277
Uitvoering
Hardback
Aantal pagina's
310
Taal
Engels
Publicatiedatum
Afmetingen
15.6 x 23.4 cm
Categorieën
Art and Material Cultures
Political Science
Sociology and Social History
Discipline
Social and Political Sciences
Imprint
Inhoudsopgave
Toon inhoudsopgaveVerberg inhoudsopgave
List of Illustrations
Foreword by Blair A. Ruble
Introduction
Chapter 1. Isadora and Russian Pre-Revolutionary Culture
Chapter 2. Isadora’s Perception after the Revolution
Chapter 3. Moscow School
Chapter 4. Russian Revolutionary Songs in Isadora
Chapter 5. Isadora and the Russian Men after Esenin
Conclusion and Acknowledgements
Appendix
Chronology of Duncan’s Performances in Russia
Name Index
Subject Index