Painting and Publishing as Cultural Industries
Titel
Painting and Publishing as Cultural Industries
Subtitel
The Fabric of Creativity in the Dutch Republic, 1580-1800
Prijs
€ 159,00 excl. BTW
ISBN
9789089647023
Uitvoering
Hardback
Aantal pagina's
352
Taal
Engels
Publicatiedatum
Afmetingen
15.6 x 23.4 cm
Ook beschikbaar als
eBook PDF - € 0,00
Inhoudsopgave
Toon inhoudsopgaveVerberg inhoudsopgave
List of images, figures, and tables Introduction Part I: Publishing 1580-1610: Window of Opportunity 1610-1650: Buzz and Pipelines 1650-1800: Mature Markets Part II: Painting 1580-1610: Window of Opportunity 1610-1650: Unlocking Potential 1610-1650: Buzz and Pipelines 1650-1800: Mature Markets Conclusion Appendix I Bibliography Index (people)

Recensies en Artikelen

"[In this book] there is a great deal to admire, and [it] will be required reading for any future students of the Dutch Golden Age." - Andrew Pettegree, University of St Andrews, English Historical Review Volume 133, Issue 565 (December 2018) "This is a remarkable work of integration and synthesis of scholarship that advances a fresh understanding and illustrates novel analytical tools at work in an area of study exceptionally rich." - Sandra van Ginhoven, BMGN - Low Countries Historical Review. 132. (2017).

Claartje Rasterhoff

Painting and Publishing as Cultural Industries

The Fabric of Creativity in the Dutch Republic, 1580-1800

De onderstaande tekst is niet beschikbaar in het Nederlands en wordt in het Engels weergegeven.
The Dutch Republic was a cultural powerhouse in the modern era, producing lasting masterpieces in painting and publishing, and in the process transforming those fields from modest trades to booming industries. This book asks the question of how such a small nation could become such a major player in those fields. Claartje Rasterhoff shows how industrial organisations played a role in shaping patterns of growth and innovations. As early modern Dutch cultural industries were concentrated geographically, highly networked, and institutionally embedded, they were able to reduce uncertainty in the marketplace and stimulate the commercial and creative potential of painters and publishers-though those successes eventually came up against the limits of a saturated domestic market and an aversion to risk on the part of producers that ultimately brought an end to the boom.
Auteur

Claartje Rasterhoff

Claartje Rasterhoff studied history at the University of Amsterdam and Utrecht University. She currently works as a post-doctoral researcher and lecturer in Arts and Culture Studies at Erasmus University Rotterdam.