Politics of Feeling in Songs of the Dutch Revolutionary Period
Titel
Politics of Feeling in Songs of the Dutch Revolutionary Period
Prijs
€ 124,00 excl. BTW
ISBN
9789463727396
Uitvoering
Hardback
Aantal pagina's
268
Taal
Engels
Publicatiedatum
Afmetingen
15.6 x 23.4 cm
Ook beschikbaar als
eBook PDF - € 123,99
Inhoudsopgave
Toon inhoudsopgaveVerberg inhoudsopgave
Acknowledgements
A Note on Language and Music
Introduction: Politics of Feeling in Songs of the Dutch Revolutionary Period
Part I: Activating Political Bodies
1. Songs of the Patriot Citizens
2. Singing an Orangist Counterpoint
Part II: Constructing Emotional Bonds
3. Singing Together in Exile
4. The Sound of Revolution
Part III: Legitimizing a New Order
5. Songs of a New Batavian Nation
6. Singing on the Stage of European Conflict
Conclusions: Listening to Singing Communities
Epilogue: Napoleonic Transformations and a Return to the Old Order
Bibliography
List of Songs
List of Tunes
List of Illustrations

Renée Vulto

Politics of Feeling in Songs of the Dutch Revolutionary Period

De onderstaande tekst is niet beschikbaar in het Nederlands en wordt in het Engels weergegeven.
Politics of Feeling in Songs of the Dutch Revolutionary Period sheds new light on the intertwined history of music and politics by exploring Dutch political songs. In the emotionally charged climate of the Dutch revolutionary period at the close of the eighteenth century, songs became a powerful medium, speaking directly to people’s bodies to engage them in political action. Emphasizing the performative nature of the songs and the interplay between imagination and embodied expression in singing practices, this book shows how beyond merely creating communities, the songs were also instrumental in mobilizing, imagining, and affirming these collectives. It uncovers the diverse roles of these songs, showing how they were used both to polarize and to unite, to mourn and to celebrate. They were employed to imagine and to embody togetherness throughout the Dutch revolutionary period, thereby creating a fixed repertoire of feelings on which various political regimes of that time relied.
Auteur

Renée Vulto

Renée Vulto is a musicologist and literary scholar interested in the intersections of culture and politics. She mainly focuses on music, sound, and literature in situations of conflict and violence. Having completed her doctoral research at Ghent University, she is currently Assistant Professor in Cultural History at Utrecht University.