Amsterdam University Press
Representing from Life in Seventeenth-century Italy
Titel
Representing from Life in Seventeenth-century Italy
Prijs
€ 109,00
ISBN
9789462983281
Uitvoering
Hardback
Aantal pagina's
256
Publicatiedatum
Afmetingen
17 x 24 cm
Discipline
Geschiedenis
Ook beschikbaar als
eBook PDF - € 108,99

Recensies en Artikelen

"Attending to recent focus in the discipline on the methods of artistic practice, the book sheds new light on little-understood aspects of early modern artistic working methods, from Caravaggio's 'true doubles' to Callot's miniaturization devices, to Claude's perspectival instruments. Through a rich historical contextualization, it also brings to the fore a range of interdisciplinary influences on art-making of the period, from court wit to instruments of vision, to mapping and measurement, and theatrical scenography." - Professor Genevieve Warwick, University of Edinburgh

Sheila McTighe

Representing from Life in Seventeenth-century Italy

De onderstaande tekst is niet beschikbaar in het Nederlands en wordt in het Engels weergegeven.
In drawing or painting from live models and real landscapes, more was at stake for artists in early modern Italy than achieving greater naturalism. To work with the model in front of your eyes, and to retain their identity in the finished work of art, had an impact on concepts of artistry and authorship, the authority of the image as a source of knowledge, the boundaries between repetition and invention, and even the relation of images to words. This book focuses on artists who worked in Italy, both native Italians and migrants from northern Europe. The practice of depicting from life became a self-conscious departure from the norms of Italian arts. In the context of court culture in Rome and Florence, works by artists ranging from Caravaggio to Claude Lorrain, Pieter van Laer to Jacques Callot, reveal new aspects of their artistic practice and its critical implications.
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Auteur

Sheila McTighe

Sheila McTighe is Senior Lecturer at the Courtauld Institute of Art, University of London. She has written about Nicolas Poussin, Annibale Carracci, caricature, and genre painting and prints, focusing on 17th-century Italy and France.