The Painted Triptychs of Fifteenth-Century Germany
Titel
The Painted Triptychs of Fifteenth-Century Germany
Subtitel
Case Studies of Blurred Boundaries
Prijs
€ 136,00
ISBN
9789463725408
Uitvoering
Hardback
Aantal pagina's
308
Taal
Engels
Publicatiedatum
Afmetingen
17 x 24 x 2.2 cm
Ook beschikbaar als
eBook PDF - € 135,99
Inhoudsopgave
Toon inhoudsopgaveVerberg inhoudsopgave
List of Illustrations
Acknowledgements

Introduction
1. Framed Boundaries: Conrad von Soest and Early Fifteenth-Century Westphalian Triptychs
2. Transparent Boundaries: Colour on the Exterior of German Fifteenth-Century Triptychs
3. Regional Boundaries: Rogier van der Weyden’s Columba Altarpiece and Cross-Influences Between the Netherlands and Cologne
4. Spiritual Boundaries: The Master of the St. Bartholomew Altarpiece and the Border between Reality and Eternity
5. Coda: The Triptych in the Age of Dürer

Bibliography
Index

Lynn F. Jacobs

The Painted Triptychs of Fifteenth-Century Germany

Case Studies of Blurred Boundaries

De onderstaande tekst is niet beschikbaar in het Nederlands en wordt in het Engels weergegeven.
This book presents four case studies that interrogate how German fifteenth-century painted triptychs engage with, and ultimately blur, various boundaries. Some of the boundaries are internal to the triptych format, for example, transgressed frames between narrative scenes on triptych interiors, or interconnections between imagery on triptych interiors and exteriors. Other blurred boundaries are regional ones between the Netherlands and Cologne; metaphysical ones between heaven and earth; and artistic distinctions between the media of painting and sculpture. The book’s case studies—which shed new light on Conrad von Soest, Stefan Lochner, and the Master of the St. Bartholomew Altarpiece—illuminate the importance of German fifteenth-century painting, while providing a fresh assessment of relations between German triptychs and their more famous Netherlandish counterparts. The case studies also demonstrate the value of probing Medialität, that is, the implications of format and medium for generating meaning. A coda assesses the triptych in the age of Dürer.
Auteur

Lynn F. Jacobs

Lynn F. Jacobs is Distinguished Professor at the University of Arkansas. She has published numerous articles as well as three books: Early Netherlandish Carved Altarpieces, 1380-1550: Medieval Tastes and Mass Marketing; Opening Doors: The Early Netherlandish Triptych Reinterpreted; and Thresholds and Boundaries: Liminality in Netherlandish Art.