Food Culture and Literary Imagination in Early Modern Italy
Titel
Food Culture and Literary Imagination in Early Modern Italy
Subtitel
The Renaissance of Taste
Prijs
€ 105,00
ISBN
9789463728034
Uitvoering
Hardback
Aantal pagina's
310
Taal
Engels
Publicatiedatum
Afmetingen
15.6 x 23.4 cm
Inhoudsopgave
Toon inhoudsopgaveVerberg inhoudsopgave
Introduction
Chapter One: Italian Renaissance Food-Fashioning
Chapter Two: Sixteenth Century Food Wars
Chapter Three: Attending Poetic Banquets: The Erotics of Food Poems and the Discovery of Taste
Chapter Four: Femininity and Food Culture in Renaissance Italy
Index

Laura Giannetti

Food Culture and Literary Imagination in Early Modern Italy

The Renaissance of Taste

De onderstaande tekst is niet beschikbaar in het Nederlands en wordt in het Engels weergegeven.
As the long sixteenth century came to a close, new positive ideas of gusto/taste opened a rich counter vision of food and taste where material practice, sensory perceptions and imagination contended with traditional social values, morality, and dietetic/medical discourse. Exploring the complex and evocative ways the early modern Italian culture of food was imagined in the literature of the time, Food Culture and the Literary Imagination in Early Modern Italy reveals that while a moral and disciplinary vision tried to control the discourse on food and eating in medical and dietetic treatises of the sixteenth century and prescriptive literature, a wide range of literary works contributed to a revolution in eating and taste. In the process long held visions of food and eating, as related to social order and hierarchy, medicine, sexuality and gender, religion and morality, pleasure and the senses, were questioned, tested and overturned, and eating and its pleasures would never be the same.
Auteur

Laura Giannetti

Laura Giannetti, University of Miami Emerita, Independent Scholar. She co-translated and edited with Guido Ruggiero Five Comedies from the Italian Renaissance (Johns Hopkins University Press) in 2003. In 2009 her monograph, Lelia's Kiss: Imagining Gender, Sex and Marriage in Italian Renaissance Comedy was published by Toronto University Press.