War, Conflict and Genocide Studies
Claggett Wilson, “Flower of Death – The Bursting of a Heavy Shell – Not as It Looks, but as It Feels and Sounds and Smells” (circa 1919). Smithsonian American Art Museum.
Series editors

Emily R. Gioielli, Worcester Polytechnic Institute

Geographical Scope
This series is global in its geographical scope. We especially welcome cutting-edge research focusing on under-represented histories, areas and cultures of violence.
Chronological Scope
Most entries in this series will focus on the 19th, 20th and 21st centuries
Advisory Board

Jochen Böhler, The Vienna Wiesenthal Institute for Holocaust Studies
Joanna Bourke, Birkbeck, University of London
Ari Kelman, University of California, Davis
Friederike Kind-Kovács, Hannah Arendt Institute for Totalitarian Studies, Dresden
Samuël Kruizinga, University of Amsterdam
Grace Tjandra Leksana, Universitas Negeri Malang
Uğur Ümit Üngör, University of Amsterdam and NIOD

Keywords
War, holocaust, genocide, cultures of violence, conflict, catastrophe, terrorism
Serie

War, Conflict and Genocide Studies

De onderstaande tekst is niet beschikbaar in het Nederlands en wordt in het Engels weergegeven.

This series publishes original scholarly works in English about the causes, courses, and consequences of war and mass violence from the nineteenth century until the present. Global in its geographical scope, this series provides a unique forum for monographs and edited collections exploring war, conflict, and genocide from a wide range of disciplinary perspectives, including history, anthropology, political science, comparative literature, gender studies, and environmental studies.

Recognizing the diverse nature, experience, and spaces of conflict, the series editors invite submissions on themes related to regular and irregular warfare and terrorism, the Holocaust and post-conflict societies and how it relates to scholarship on empire and colonialism, migration and borderlands, post-conflict societies, humanitarianism, and memory. The series also acknowledges that war, conflict, and genocide are not experienced uniformly and invites submissions from scholars whose work engages with critical perspectives related to gender and sexuality, class, indigeneity, race and ethnicity, religion, and ability.

The series especially welcomes manuscripts by early career scholars exploring less-studied cases and phenomena (preferably from the Global South) and scholars employing novel theoretical approaches to the study of war and genocide.