Otto Marseus van Schrieck and the Art of the Butterfly

V.E. Mandrij

Otto Marseus van Schrieck and the Art of the Butterfly

A Technical Study of Early Modern Lepidochromy

De onderstaande tekst is niet beschikbaar in het Nederlands en wordt in het Engels weergegeven.
The Dutch painter and naturalist Otto Marseus van Schrieck became famous for an unusual iconography that mixed characteristics of landscape, animal painting, natural history illustration, and still life: the sottobosco paintings. These artworks, which he developed during his voyage to Italy around 1650, represent reptiles, amphibians, and insects in dark forests. To increase the realistic representations of lepidopterans, he pressed the wings of dead specimens onto the paintings to transfer their original colours. The technique of printing butterfly wings, named lepidochromy in this book, was already being used in the sixteenth century and has been documented as a means of conserving and classifying lepidopterans from the eighteenth through twentieth century.

With a strong focus on the techniques and materials involved in making butterfly imprints, this book introduces readers for the first time to the development, uses, and meanings of lepidochromy in the oeuvre of Otto Marseus van Schrieck at the crossroads of art and natural history.
Auteur

V.E. Mandrij

Dr. V. E. Mandrij (they/them) is an art historian and an author who has studied, researched, and worked in Switzerland, Italy, Belgium, the Netherlands, and Germany. They published several articles and co-edited the book Insects and Colors between Art and Natural History (2025).
Titel
Otto Marseus van Schrieck and the Art of the Butterfly
Subtitel
A Technical Study of Early Modern Lepidochromy
Auteur
Prijs
€ 171,00 excl. BTW
ISBN
9789048568833
Uitvoering
Hardback
Aantal pagina's
387
Taal
Engels
Publicatiedatum
DOI
https://doi.org/10.5117/9789048568833
Afmetingen
21 x 26 cm
Serie
Studies in Early Modernity in The Netherlands
Partner
Categorieën
Art and Material Cultures
Dutch and The Netherlands
Early Modern Studies
Discipline
History, Art History, and Archaeology
Inhoudsopgave
Toon inhoudsopgaveVerberg inhoudsopgave
INTRODUCTION
PART I | THE LEPIDOCHROMY TECHNIQUE
CHAPTER 1 | SEEING AND MAKING LEPIDOCHROMES
CHAPTER 2 | THE TERMINOLOGIES AND INHERITANCE OF LEPIDOCHROMY
PART II | OTTO MARSEUS VAN SCHRIECK AND THE LEPIDOCHROMY TECHNIQUE IN EARLY MODERN ART THEORIES AND NATURAL HISTORY
CHAPTER 3 | THE RELATIONSHIP BETWEEN LEPIDOCHROMY IN THE SOTTOBOSCHI AND SEVENTEENTH-CENTURY ART THEORIES
CHAPTER 4 | THE RELATIONSHIPS BETWEEN LEPIDOCHROMY IN THE SOTTOBOSCHI AND SEVENTEENTH-CENTURY NATURAL HISTORY
CONCLUSION
ANNEX I: TRANSCRIPTIONS OF RECIPES
BIBLIOGRAPHY
PLATES (COLOUR)