Amsterdam University Press
Early Film Theories in Italy, 1896-1922
Early Film Theories in Italy, 1896-1922
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23.4 x 15.6 cm
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Film Theory
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Early Film Theories in Italy, 1896-1922

This collection is the first to bring together scholars to explore the ways in which various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a 'scandalous' new technology that appeared poised to thoroughly change everyday life.

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Francesco Casetti

Francesco Casetti is Professor of Film and Media at Yale University. He is the author of Inside the Gaze. The Fiction Film and its Spectator, Theories of Cinema, 1945-1995, and Eye of the Century. Film, Experience, Modernity. With Jane Gaines, he is the co-founder of the Permanent Seminar on Histories of Film Theories.

Francesco Casetti (editor and contributor) Thomas Donnelly Professor, Film and Media Studies Yale University Leading scholar of film and media studies, author most recenty of The Lumie?re Galaxy. Seven Key Words for the Cinema to Come, Columbia UP, 2015

Silvio Alovisio

Silvio Alovisio is Assistant Professor of Film at University of Torino. He is extensively working on Italian silent cinema and early film theories. He is the author of some ten essays and books, among which The 'Pastrone System': Itala Film from the Origins to World War 1, and L'occhio sensibile (The Responsive Eye) on cinema and psycho/physiology.

Luca Mazzei

Luca Mazzei is Ph.D. Assistant Professor of Film at University of Roma "Tor Vergata". He currently works on early film theories, novels on film, and the role of cinema during the war against the Ottoman Empire (1911). He is the co-editor of Lucio d'Ambra il cinema (co-ed. with A. Aprà) and Microteorie. Cinema Muto Italiano (co-ed. with L. Quaresima).