The Mass Market for History Paintings in Seventeenth-Century Amsterdam
Title
The Mass Market for History Paintings in Seventeenth-Century Amsterdam
Subtitle
Production, Distribution, and Consumption
Price
€ 115,00
ISBN
9789462987739
Format
Hardback
Number of pages
294
Language
English
Publication date
Dimensions
17 x 24 x 2.3 cm
Table of Contents
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Acknowledgements
List of Figures and Tables
List of Abbreviations
Introduction
1. The trade in cheap history paintings: Dammeroen, Doeck and Meijeringh
2. 'Bunglers' and 'duds': the painters listed in Doeck and Meijeringh's inventories and their career prospects
3. Painting by numbers: the production of 'dime-a-dozen' works in Dammeroen, Doeck and Meijeringh's art shops
4. History paintings in Amsterdam households, 1650-1699
Conclusion
Bibliography
Index
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Angela Jager

The Mass Market for History Paintings in Seventeenth-Century Amsterdam

Production, Distribution, and Consumption

Millions of paintings were produced in the Dutch Republic. The works that we know and see in museums today constitute only the tip of the iceberg — the top-quality part. But what else was painted? This book explores the low-quality end of the seventeenth-century art market and outlines the significance of that production in the genre of history paintings, which in traditional art historical studies, is usually linked to high prices, famous painters, and elite buyers. Angela Jager analyses the producers, suppliers, and consumers active in this segment to gain insight into this enormous market for cheap history paintings. What did the supply consist of in terms of quantity, quality, price, and subject? Who produced all these works and which production methods did these painters employ? Who distributed these paintings, to whom, and which strategies were used to market them? Who bought these paintings, and why?
Author

Angela Jager

Angela Jager is an art historian of early modern Dutch and Flemish painting. She received her PhD from the University of Amsterdam in 2016. Her publications include articles in the journals Oud Holland and JHNA, as well as contributions to exhibition catalogues and edited volumes. She co-edited the CATS proceedings Trading Paintings and Painters’ Materials 1550—1800.