

- Series editors
Giovanna Fossati, Eye Filmmuseum and University of Amsterdam, the Netherlands
Leo van Hee, Eye Filmmuseum
Frank Kessler, Utrecht University, the Netherlands
Patricia Pisters, University of Amsterdam, the Netherlands
Dan Streible, New York University, United States
Nanna Verhoeff, Utrecht University, the Netherlands- Geographical Scope
- North America; Europe
- Chronological Scope
- 19th to 21st centuries
- Editorial Board
Richard Abel, University of Michigan, United States
Jane Gaines, Columbia University, United States
Tom Gunning, University of Chicago, United States
Vinzenz Hediger, Goethe University Frankfurt, Germany
Martin Koerber, Deutsche Kinemathek, Germany
Ann-Sophie Lehmann, Utrecht University, the Netherlands
Charles Musser, Yale University, United States
Julia Noordegraaf, University of Amsterdam, the Netherlands
William Uricchio, Massachusetts Institute of Technologu, United States
Linda Williams, University of California at Berkeley, United States- Organisation
- Eye Filmmuseum, Amsterdam
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Framing Film
Framing Film is a book series dedicated to theoretical and analytical studies in restoration, collection, archival, and exhibition practices in line with the existing archive of Eye Filmmuseum. With this series, Amsterdam University Press and Eye aim to support the academic research community, as well as practitioners in archive and restoration.
"I applaud this series' effort, because for me the construction of film history has always been a complex matrix of social forces, academic research interest, and archival ability. Just as research queries by film scholars lead to films being prioritized for preservation and restoration, preservation initiatives in the archives also lead to an opening up of new film historical terrain." — Jan-Christpher Horak, UCLA Film & Television Archive


Collecting Cinema, Rewriting Film History

Archival Film Curatorship

Exploring Past Images in a Digital Age

Dutch Post-war Fiction Film through a Lens of Psychoanalysis

Performing Moving Images

Women in the Silent Cinema

From Grain to Pixel

Images of Dutchness

The Greatest Films Never Seen

The Colour Fantastic

The Films of Bill Morrison

Images of Occupation in Dutch Film

Film Museum Practice and Film Historiography

Women in the Silent Cinema

Filming for the Future

The Conscience of Cinema

Exposing the Film Apparatus

Exposing the Film Apparatus

Humour and Irony in Dutch Post-War Fiction Film

Filming for the Future

Multiple Language Versions Made in BABELsberg

Fantasia of Color in Early Cinema
