''In many ways, Carlisle’s book provides a fitting application of the turn to historical roots, outlined and theorized in Christopher Wood’s landmark Forgery, Replica, Fiction, a book which, significantly, also employs the term “German Renaissance.”[8] By historicizing her analysis in Renaissance Augsburg, she firmly grounds that larger phenomenon and defines its uniquely local meaning.''
– Larry Silver, Historians of Netherlandish Art Reviews , February, 2025