
Antwerp School, Prince Wladyslaw Zygmunt Vasa's Kunstkammer
The Royal Castle in Warsaw - Museum, inv. no. ZKW/2123, phot. Andrzej Ring, Lech Sandzewicz
- Series editors
Allison Levy is Director of Brown University Digital Publications. She has authored or edited five books on early modern Italian visual and material culture.
- Geographical Scope
- Primarily Western Europe, bringing together the art traditions of Northern and Southern Europe; also, where relevant studies on non-Western traditions
- Chronological Scope
- 1300-1700
- Keywords
- Visual culture, material culture, image, object, medieval, early modern, art history, representation
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Series
Visual and Material Culture, 1300-1700
Discipline:History, Art History, and Archaeology
A forum for innovative research on the role of images and objects in the late medieval and early modern periods, Visual and Material Culture, 1300-1700 publishes monographs and essay collections that combine rigorous investigation with critical inquiry to present new narratives on a wide range of topics, from traditional arts to seemingly ordinary things. Recognizing the fluidity of images, objects, and ideas, this series fosters cross-cultural as well as multi-disciplinary exploration. We consider proposals from across the spectrum of analytic approaches and methodologies.

Death, Disease and Mystical Experience in Early Modern Art
Michael Hill, Jennifer Milam (eds)

The Frescoed Façade in Renaissance Roman Visual Culture
Alexis Culotta

Thinking Women and Art in the Long Eighteenth Century
Mechthild Fend, Jennifer Germann, Melissa Hyde (eds)

Beuckelaer and the Art of Dining
Claudia Goldstein

Embodied Experiences of Making in Early Modern Europe
Sarah A. Bendall, Serena Dyer (eds)

Picturing German Antiquity in the Age of Print
Rachel Carlisle

The Art of Anna Dorothea Therbusch (1721-1782)
Christina Lindeman

The Codex Borbonicus Veintena Imagery
Catherine DiCesare

Women Artists and Artisans in Venice and the Veneto, 1400-1750
Tracy Cooper (ed.)

Comfortable Everyday Life at the Swedish Eighteenth-Century Näs Manor
Carolina Brown

Jacob van Ruisdael’s Ecological Landscapes
Catherine Levesque

Art and Its Geographies
Ingrid Vermeulen (ed.)

Petrarch and Sixteenth-Century Italian Portraiture
Ilaria Bernocchi, Nicolò Morelli, Federica Pich (eds)

Image and the Office of the Dead in Late Medieval Europe
Sarah Schell

Bernardino Poccetti and the Art of Religious Painting at the End of the Florentine Renaissance
Douglas Dow

Trade, Globalization, and Dutch Art and Architecture
Marsely Kehoe

The Portuguese Restoration of 1640 and Its Global Visualization
Urte Krass

The Art and Government Service of Francesco di Bartolomeo Alfei (c. 1421 - c. 1495)
Anabel Thomas

Architecture, Opportunity, and Conflict in Eighteenth-Century Sicily
Martin Nixon

In-Between Textiles, 1400-1800
Beatriz Marín-Aguilera, Stefan Hanß (eds)

Sufi Lovers, Safavid Silks and Early Modern Identity
Nazanin Hedayat Munroe

The Matter of Violence in Baroque Painting
Bogdan Cornea

Indecent Bodies in Early Modern Visual Culture
Fabian Jonietz, Mandy Richter, Alison Stewart (eds)

Landscape and Earth in Early Modernity
Christine Göttler, Mia Mochizuki (eds)

Netherlandish and Italian Female Portraiture in the Fifteenth Century
Elisabetta Toreno

Stigmatics and Visual Culture in Late Medieval and Early Modern Italy
Cordelia Warr

The Painted Triptychs of Fifteenth-Century Germany
Lynn F. Jacobs

Titian's Allegory of Marriage
Daniel M. Unger (ed.)

Money Matters in European Artworks and Literature, c. 1400-1750
Natasha Seaman, Joanna Woodall (eds)

Colonial Objects in Early Modern Sweden and Beyond
Mårten Snickare

Landscape and the Arts in Early Modern Italy
Katrina Grant

Creating Place in Early Modern European Architecture
Elizabeth Merrill (ed.)

Prints as Agents of Global Exchange
Heather Madar (ed.)

Women Artists in the Early Modern Courts of Europe
Tanja L. Jones (ed.)

Portrait Cultures of the Early Modern Cardinal
Piers Baker-Bates, Irene Brooke (eds)

Materialized Identities in Early Modern Culture, 1450-1750
Susanna Burghartz, Lucas Burkart, Christine Göttler, Ulinka Rublack (eds)

Contamination and Purity in Early Modern Art and Architecture
Lauren Jacobi, Daniel Zolli (eds)

Early Modern Spaces in Motion
Kimberley Skelton (ed.)

Artisans, Objects and Everyday Life in Renaissance Italy
Paula Hohti Erichsen

Somaesthetic Experience and the Viewer in Medicean Florence
Allie Terry-Fritsch

Poussin's Women
Troy Thomas

The Life and Work of Rosalba Carriera (1673-1757)
Angela Oberer

Figuring Faith and Female Power in the Art of Rubens
J. Vanessa Lyon

Representing from Life in Seventeenth-century Italy
Sheila McTighe

Art, Trade, and Imperialism in Early Modern French India
Liza Oliver

Religious Materiality in the Early Modern World
Suzanna Ivanic, Mary Laven, Andrew Morrall (eds)

Sense Knowledge and the Challenge of Italian Renaissance Art
Giles Knox

Satire, Veneration, and St. Joseph in Art, c. 1300-1550
Anne L. Williams

Reframing Seventeenth-Century Bolognese Art
Babette Bohn, Raffaella Morselli (eds)

Ornament and Monstrosity in Early Modern Art
Chris Askholt Hammeken, Maria Fabricius Hansen (eds)

Women Artists and Patrons in the Netherlands, 1500-1700
Elizabeth Sutton (ed.)

Sartorial Politics in Early Modern Europe
Erin Griffey (ed.)

Green Worlds in Early Modern Italy
Karen Hope Goodchild, April Oettinger, Leopoldine Prosperetti (eds)

Still-Life as Portrait in Early Modern Italy
Ornat Lev-er

Gender, Space and Experience at the Renaissance Court
Maria Maurer

Redefining Eclecticism in Early Modern Bolognese Painting
Daniel M. Unger

Picturing Commerce in and from the East Asian Maritime Circuits, 1550-1800
Tamara H. Bentley (ed.)

The Pictorial Art of El Greco
Livia Stoenescu

Flagellant Confraternities and Italian Art, 1260-1610
Andrew Chen

Godefridus Schalcken
Wayne Franits

Divine and Demonic Imagery at Tor de'Specchi, 1400-1500
Suzanne M. Scanlan

Women, Art and Observant Franciscan Piety
Kathleen Giles Arthur

Creating Distinctions in Dutch Genre Painting
Angela Ho