Contamination and Purity in Early Modern Art and Architecture
Contamination and Purity in Early Modern Art and Architecture
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Introduction / Lauren Jacobi and Daniel M. Zolli
1. Generation and Ruination in the Display of Michelangelo's Non-finito / Carolina Mangone
2. The Sacrilege of Soot: Liturgical Decorum and the Black Madonna of Loreto / Grace Harpster
3. Sedimentary Aesthetics / Christopher Nygren
4. 'Adding to the Good Silver with Other Trickery': Purity and Contamination in Clement VII's Emergency Currency' / Allison Stielau
5. Tapestry as Tainted Medium: Charles V's Conquest of Tunis / Sylvia Houghteling
6. Bruegel's Dirty, Little Atoms / Amy Knight Powell
7. Leakage, Contagion, and Containment in Early Modern Venice / Lisa Pon
8. Contamination, Purification, Determinism: The Italian Pontine Marshes / Lauren Jacobi
9. Colonial Consecrations, Violent Reclamation, and Contested Spaces in the Spanish Americas / Carolyn Dean and Dana Leibsohn
10. Contamination | Purification / Caroline A. Jones and Joseph Leo Koerner

Lauren Jacobi, Daniel Zolli (eds)

Contamination and Purity in Early Modern Art and Architecture

The concepts of purity and contamination preoccupied early modern Europeans fundamentally, structuring virtually every aspect of their lives, not least how they created and experienced works of art and the built environment. In an era that saw a great number of objects and people in motion, the meteoric rise of new artistic and building technologies, and religious upheaval exert new pressures on art and its institutions, anxieties about the pure and the contaminated – distinctions between the clean and unclean, sameness and difference, self and other, organization and its absence – took on heightened importance. In this series of geographically and methodologically wide-ranging essays, thirteen leading historians of art and architecture grapple with the complex ways that early modern actors negotiated these concerns, covering topics as diverse as Michelangelo’s unfinished sculptures, Venetian plague hospitals, Spanish-Muslim tapestries, and emergency currency. The resulting volume offers surprising new insights into the period and into the modern disciplinary routines of art and architectural history.

Lauren Jacobi

Lauren Jacobi is the Clarence H. Blackall Career Development Associate Professor of Architectural History in the History, Theory + Criticism section of the Department of Architecture at the Massachusetts Institute of Technology.

Daniel Zolli

Daniel M. Zolli is Assistant Professor in the Department of Art History at The Pennsylvania State University. He is a specialist in late medieval and early modern European art, with a particular focus on fourteenth-, fifteenth- and sixteenth-century Italy.