Transit, 2018. Director: Christian Petzold.
- Series editors
Malte Hagener, Marburg
Patricia Pisters, Amsterdam
Wanda Strauven, New YorkThomas Elsaesser † (Founding Editor)
- Geographical Scope
- Worldwide
- Chronological Scope
- 19th, 20th and 21st Century
- Keywords
- Global Cinema; Film Culture; Film Theory; Media Archaeology
- Flyer
- Download flyer
- Logo
Series
Film Culture in Transition
Discipline:Film, Media, and Communication
Film Culture in Transition is committed to a diverse range of approaches and to stimulating cutting-edge debates on the complex interdependence of cinema, other media and screen culture at large. While putting the emphasis on current work in film theory and media history, the series also feature studies on new forms of authorship, image politics and media art. With a strong tradition in European and North American cinema, we are welcoming innovative book projects on the diversity of film cultures in a global perspective.
Related articles
Film Societies in Germany and Austria 1910-1933
Michael Cowan
Epistolary Entanglements in Film, Media and the Visual Arts
Teri Higgins, Catherine Fowler (eds)
The Aesthetics and Politics of Cinematic Pedestrianism
Asli Özgen
Hands on Film
Barry Monahan
Screening the Art World
Temenuga Trifonova (ed.)
Post-war Industrial Media Culture in Sweden, 1945-1960
Mats Björkin
Planetary Cinema
Tiago de Luca
Labour in a Single Shot
Roy Grundmann, Peter Schwartz, Gregory Williams (eds)
The Red Years of Cahiers du cinéma (1968-1973)
Daniel Fairfax
Moving Pictures and Renaissance Art History
Patricia Emison
Advertising and the Transformation of Screen Cultures
Bo Florin, Patrick Vonderau, Yvonne Zimmermann
Film Phenomenology and Adaptation
David Evan Richard
Special Effects and German Silent Film
Katharina Loew
Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick and Ruiz
Laleen Jayamanne
German Cinema in the Age of Neoliberalism
Hester Baer
Realist Cinema as World Cinema
Lúcia Nagib
Theorizing Film Through Contemporary Art
Jill Murphy, Laura Rascaroli (eds)
Disaster Cinema in Historical Perspective
Nikita Mathias
Towards a Political Aesthetics of Cinema
Sulgi Lie
Beyond the Essay Film
Julia Vassilieva, Deane Williams (eds)
Ephemeral Cinema Spaces
Maria Vélez-Serna
LGBTQ Film Festivals
Antoine Damiens
Danièle Huillet, Jean-Marie Straub
Benoît Turquety
Neorealist Film Culture, 1945-1954
Francesco Pitassio
The Work of Terrence Malick
Gabriella Blasi
The Digital Image and Reality
Daniel Strutt
Late Bresson and the Visual Arts
Raymond Watkins
The Uncanny Child in Transnational Cinema
Jessica Balanzategui
Film Serials and the American Cinema, 1910-1940
Ilka Brasch
Sovereign Violence
Steve Choe
Mysteries of Cinema
Adrian Martin
The Webcam as an Emerging Cinematic Medium
Paula Albuquerque
Futurist Cinema
Rossella Catanese (ed.)
Visions of Vienna
Alexandra Seibel
Cinema and Narrative Complexity
Steffen Hven
Modern Ghost Melodramas
Michael Walker
Film History as Media Archaeology
Thomas Elsaesser
Film History as Media Archaeology
Thomas Elsaesser
Hollywood is Everywhere
Melis Behlil
Sovereign Violence
Steve Choe
Melodrama After the Tears
Jörg Metelmann, Scott Loren (eds)
Walter Ruttmann and the Cinema of Multiplicity
Michael Cowan
Farocki/Godard
Volker Pantenburg
A Revolution for the Screen
Paul Cuff
Cine-Dispositives
Maria Tortajada, François Albera (eds)
Color and Empathy
Christine Brinckmann
Hollywood in Cannes
Christian Jungen
Warped Minds
Temenuga Trifonova
Walter Ruttmann and the Cinema of Multiplicity
Michael Cowan
Hollywood in Cannes
Christian Jungen
Improvising Cinema
Gilles Mouëllic
Exhibiting Cinema in Contemporary Art
Erika Balsom
Cinema Beyond Film
Maria Tortajada, François van den Albera (eds)
Films that Work
Patrick Vonderau, Vinzenz Hediger (eds)
Film Festivals
Marijke de Valck
The Cinema of Attractions Reloaded
Wanda Strauven (ed.)
European Cinema
Thomas Elsaesser
The Last Great American Picture Show
Alexander Horwath, Noel King, Thomas Elsaesser
Cinema Futures: Cain, Abel or Cable?
Kay HoffmannThomas Elsaesser (ed.)