Transit, 2018. Director: Christian Petzold.
- Series editors
Malte Hagener, Marburg
Patricia Pisters, Amsterdam
Wanda Strauven, New YorkThomas Elsaesser † (Founding Editor)
- Geographical Scope
- Worldwide
- Chronological Scope
- 19th, 20th and 21st Century
- Keywords
- Global Cinema; Film Culture; Film Theory; Media Archaeology
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Series
Film Culture in Transition
Discipline:Film, Media, and Communication
Film Culture in Transition is committed to a diverse range of approaches and to stimulating cutting-edge debates on the complex interdependence of cinema, other media and screen culture at large. While putting the emphasis on current work in film theory and media history, the series also feature studies on new forms of authorship, image politics and media art. With a strong tradition in European and North American cinema, we are welcoming innovative book projects on the diversity of film cultures in a global perspective.
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Performative Images
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Performative Images
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Finance and the World Economy in Weimar Cinema
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Film Societies in Germany and Austria 1910-1933
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Epistolary Entanglements in Film, Media and the Visual Arts
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The Aesthetics and Politics of Cinematic Pedestrianism
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Hands on Film
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Screening the Art World
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Post-war Industrial Media Culture in Sweden, 1945-1960
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Planetary Cinema
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Labour in a Single Shot
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The Red Years of Cahiers du cinéma (1968-1973)
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Moving Pictures and Renaissance Art History
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Advertising and the Transformation of Screen Cultures
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Film Phenomenology and Adaptation
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Special Effects and German Silent Film
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Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick and Ruiz
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German Cinema in the Age of Neoliberalism
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Realist Cinema as World Cinema
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Theorizing Film Through Contemporary Art
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Disaster Cinema in Historical Perspective
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Towards a Political Aesthetics of Cinema
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Beyond the Essay Film
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Ephemeral Cinema Spaces
Maria Vélez-Serna
LGBTQ Film Festivals
Antoine Damiens
Danièle Huillet, Jean-Marie Straub
Benoît Turquety
Neorealist Film Culture, 1945-1954
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The Work of Terrence Malick
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The Digital Image and Reality
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Late Bresson and the Visual Arts
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The Uncanny Child in Transnational Cinema
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Film Serials and the American Cinema, 1910-1940
Ilka Brasch
Sovereign Violence
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Mysteries of Cinema
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The Webcam as an Emerging Cinematic Medium
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Futurist Cinema
Rossella Catanese (ed.)
Visions of Vienna
Alexandra Seibel
Cinema and Narrative Complexity
Steffen Hven
Modern Ghost Melodramas
Michael Walker
Film History as Media Archaeology
Thomas Elsaesser
Film History as Media Archaeology
Thomas Elsaesser
Hollywood is Everywhere
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Sovereign Violence
Steve Choe
Melodrama After the Tears
Jörg Metelmann, Scott Loren (eds)
Walter Ruttmann and the Cinema of Multiplicity
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Farocki/Godard
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A Revolution for the Screen
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Cine-Dispositives
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Color and Empathy
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Hollywood in Cannes
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Warped Minds
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Walter Ruttmann and the Cinema of Multiplicity
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Hollywood in Cannes
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Improvising Cinema
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Exhibiting Cinema in Contemporary Art
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Cinema Beyond Film
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Films that Work
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Film Festivals
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The Cinema of Attractions Reloaded
Wanda Strauven (ed.)
European Cinema
Thomas Elsaesser
The Last Great American Picture Show
Alexander Horwath, Noel King, Thomas Elsaesser
Cinema Futures: Cain, Abel or Cable?
Kay HoffmannThomas Elsaesser (ed.)